Showing posts with label performance. Show all posts
Showing posts with label performance. Show all posts

Monday, December 11, 2017

Mobile phone etiquette raises its head again...

I go to the theatre a lot and inevitably, at some shows, there will be a mobile phone that starts ringing part-way through the performance. You think you've turned your phone to silent but for some reason it isn't silent. Mistakes happen. I can ignore it. It happened once to me. A phone, for whom nobody knows the number (it has a US number), started vibrating in my bag. I didn't react because I didn't think it could be my phone as no-one knows the number so who would be calling me? It turns out it was my phone and it was some spammer bulk dialling and taking a chance on the number being live.

I must admit, I don't like it when I can see someone has their phone screen on during a performance. Those screens are really bright and when you're plunged into darkness in a theatre, if you're upstairs in the Royal or Upper Circle, you can see a phone light go on straight away. It's distracting. If there were a persistent offender sitting near me, I would probably have a word with them. In the same way that I would have a word if someone was talking during a performance. I don't have to do it very often, but I do do it.

Unfortunately, calling out poor etiquette can have consequences. Just last week, The Stage reports that there was an incident at The Old Vic in London. Adam Gale, a theatre producer from New York witnessed a woman using her mobile phone throughout the first half of a performance of A Christmas Carol and asked her to stop using it. I think that's fair enough. I would probably do the same in the same circumstances. Unfortunately for Adam, during the interval, the woman's partner punched Mr Gale and the couple left the theatre. The theatre confirmed that there had been an altercation between three people over a mobile phone.

It's not the first time I've read of tempers fraying in a theatre over the use of a mobile phone. Arguably, it's something that ushers should be dealing with more promptly. However, ushers are not particularly well paid and they're generally young people and potentially may be reticent to intervene in case it causes aggravation.

Some are calling for a zero tolerance policy for mobile phones in the theatre. In China, they use lasers to shame patrons using their mobile phones during a performance. Numerous examples of actors calling theatre-goers out when their phone rings or they can see the light from a mobile screen are noted here. Back in 2015, Benedict Cumberbatch made an impassioned plea to the audience about restricting their use of their phones to outside of the performance. The problem persists.



And there will be some cases where it's important for someone to be able to access their phone during a performance - a doctor on call, for example. Or, as I experienced this week, there was a reviewer taking notes about the performance I was watching and using his phone as a torch. He was using it as subtly as possible with the screen turned towards the page and we were both at the back so unlikely to distract anyone much. Once I could see what he was doing, I put it out of my mind. In both instances, I would ask in that people turn their screen brightness right down. It helps a bit.

Meanwhile, theatre desperately needs publicity about shows and performances that are best shared via mobile devices. They need the tweets, Facebook statuses and Instagram photos so that the word gets out about the show. Yet, theatres can be very tough with theatre goers about taking a photo of the stage on arrival, for example if you're checking in to Swarm or Facebook. That seems to me to be over-zealous. There's a big difference between a pre-show selfie and a mid-show recording.

Occasionally with shows, the audience is encouraged to get their phones out and take photos and video. They do this at the end of School of Rock and it's a touch of genius. It's at a point in the story where it feels most like a rock concert and phones are most definitely part and parcel of a rock concert. The genius part of it though is that the audience take hundreds of amazing action shots of the show and immediately share them with their friends and family telling them how fantastic the show is. (And it really is a fantastic show).

So there's a time and a place. And there's awareness of how your behaviour may affect others experience. And there's downright selfishness.

Zero tolerance is not the answer. You really don't know the reason someone has their phone on. There might be a valid reason. And there will always be fellow theatregoers who munch or talk their way through a show. I dunno. Maybe some relaxation of photography rules pre and post show coupled with a firmer stance from (trained) ushers during a show may pay dividends.

And let's not mention the annoying lights from a smartwatch or Fitbit...

Day 11/25 Blogmas

Thursday, February 02, 2012

Beware the ides of March

As if there isn’t enough to do in the run up to Mobile World Congress and the Heroes of the Mobile Fringe Festival, some months ago I auditioned to be in Julius Caesar. It was one of those chance things. I used to do a lot of acting when I was younger, but gave it up when I moved to London aged 21. It has always been on my mind to get into it again, but somehow never found the time or the right opportunity. Anyway, a chance tweet in my timeline one afternoon and a couple of days later I was at an open audition in Balham. And lo and behold, I got a part. Well, three small parts actually. That was in October and the twice weekly rehearsals or so didn’t seem to be that much of a commitment.

It is now February, and we’re two weeks less one day from opening night and we have Mobile World Congress at the end of the month too. Oh my word. Lines need to be embedded in my brain. I’m doing a crash course in learning to be a soldier. I’ve learned how to be in a realistic crowd and I’m having to learn to not smile so that I can be a thug. Oh, and I have to find my inner citizen photographer in riot-torn London. The latter is much easier as I happen to know my way round a smartphone.

Crowd workshop video:

 

It has been an interesting process to get back into acting. I can’t say that I’ve ever been particularly drawn to Shakespeare so I saw this as a challenge. I did it at school of course, but at youth theatre, we never did any Shakespeare, favouring musicals and comedies for our main annual shows. I think the most literary we got was with Under Milk Wood. I was in it three times, with three different directors and cast as Polly Garter each time…

We’ve set Julius Caesar in modern London with the backdrop of riots, political unrest and disenfranchised youth, but with the same script and the added bonus of twitter interaction. The words and meanings are tough to get your head around sometimes and we spent quite a lot of time discussing the scenes and what was actually meant by getting to know the historical context. That definitely helped. Learning by rote is hard though when it’s not your natural conversational language. But we’ve been off-book now for a couple of weeks so it’s all good.

We got featured on BBC Radio 4’s Today programme recently as we’re part of the RSC’s open Shakespeare project and also got a lovely preview in SW London’s Time and Leisure site.

So, friends, Romans, lovers, lend me your ears and buy a ticket for Southside Players production of Julius Caesar. Even if you’re not familiar with Shakespeare, this is the one that is chock-full of lines and phrases we use every day so much of it will be familiar to you. So for the ones of you who can get to Balham in SW London on 15 to 18 February 2012, come on down and make our day! We won’t even ask you to turn off your phone as you can join in with the show on twitter too. Tickets available online at http://www.southsideplayers.org.uk and are just £10.

Friday, April 20, 2007

Even more kulcha this week - Korean stylee

























It seems I have friends in high places these days as I was a guest at the first night of Break Out! at the Peacock Theatre. I had no idea what to expect as I'd been told it was hip-hop breakdancing Korean stylee but hey, nothing ventured, nothing gained.

So Katherine and I pitch up and we have great seats near the front and it's an almost full house with lots of young people there (makes a change - it's mostly over 50s you get to hang with at the theatre - no offence to you over 50s, but diversity is good!).

The show opens with a projector show and an off-the-wall comedy mime scene, at which point Katherine and I exchanged glances and wondered what was in store. And then the show moved into action. A really innovative mix of comedy, great soundtrack, totally amazing breakdancing (I mean really stunning), a generous sprinkling of slapstick and a good story line to boot.

It's the story of some prisoners who find an enchanted book which leads them to breaking out of prison and experience a series of adventures. I particularly loved their tunnel scene where they donned mini-me suits to give the effect of crawling through a tunnel. The 3 girls in support were fab and managed to shift from being prison officers to nurses to nuns with the greatest of ease. And the whole cast had us gripped and in stitches throughout the performance.

It's on until Sunday and it's well worth catching it while you can.