A round-up of shows and performances seen in November 2024. I've been challenged by a friend to keep a better record of what shows I've seen. At the moment, most of them are just listed in my calendar app which is not great for managing an archive. So whilst I work out the best way to do this, I'm just going to blog about them.
Friday 1st November - A Little Piece of You at Theatre Royal, Drury Lane. The less said about this, the better. It was dreadful. Despite a stellar cast - Mica Paris, David Bedella, Dujonna Gift - nothing could save the dire material. I don't know if the book was rushed or just not well thought through, but it did not work. Some of Kjersti Long's songs were OK, but Kjersti's vocals could not match her co-stars and she ended up screeching the songs to get the volume needed. The concept of the play was poor. The female characters, because they were depressed, seemed to spend a lot of time in bed. This does not make for an interesting scenario to watch. David Bedella was not given a single note to sing. This was a vanity project and a half. Did impresario Dad have delusions of grandeur, I wonder? It was so bad, I had to take a week off going to the theatre to get over it! Note to Kjersti - don't stop making music and don't stop trying. But maybe walk before you run and get better advisors around you who are not afraid to critique your work so you can improve.
Tuesday 12 November - La Clique at The Spiegeltent in Leicester Square. Lots of fun in a lovely venue in the heart of theatreland. It's a mix of magic, comedy, dance, trapeze and stunts. Recommended.
Here's a review for a better flavour of what to expect.
Booking now until 5 January 2025
Friday 15 November - The Elixir of Life by Donizetti at The London Coliseum. This ENO production was sumptuous and fun. They made full use of the stage with a gorgeous set and costumes. We had a full chorus too and glorious soloists. I liked that they had transposed the setting to the 20th Century as it made it more relatable and gave them scope to create some new effects which I hadn't seen before from the ENO. Here's
a review from The Guardian for a more in-depth look at the piece. Booking until 5 December.
Saturday 16 November - Her Story: Mozart at Theatre Royal Drury Lane. This was a semi-staged concert version of a new musical about
Nannerl Mozart, Wolfgang Amadeus's older sister. I didn't even know he had a sister, or that she was also musical. It was fun to see a new story showcased in this way. It's still a work in progress but I hope it gets the resources and time to develop further. I really enjoyed it. I got all the feels with several of the songs. My body knows if the music is working way before my brain does!
Sunday 17 November - Club Life at the Omnibus Theatre in Clapham. Oh my, this was wonderful. It's the story of Fred Deakin (club DJ and one half of Lemon Jelly now a designer and academic) as told through the music he listened to and the clubs and parties he created between around 1980 and 2000. It's an immersive experience in that Fred somehow manages to recreate the atmosphere and vibe of each club through music, visuals and some story telling. The audience is encouraged from the get go to get up and dance during each club sequence. The 2.5 hours flew by and I found myself dancing throughout and came out absolutely buzzing. In experiencing Fred Deakin's story, I was also reliving some of my own story (we're a similar age) and was remembering my nights out at various parties, clubs and festivals.
Here's a friend's review.
Monday 18 November - The Glorious French Revolution (or why it sometimes takes a guillotine to get anything done). A very clever, energetic and original piece of work to give us the potted history of The French Revolutions (spoiler alert, there was more than one). If you've ever watched or listened to Les Miserables, this play will give you the backstory in a very entertaining and thought-provoking way. I loved it and would recommend it. Yes, it's absurdist and maybe a tad experimental, but I think it works. You can read
my review here. Playing until 14 December.
Tickets available here at just £22.
Tuesday 19 November - Club Life at the Omnibus Theatre in Clapham. It was so good, I went twice and it was just as good the second time!
Thursday 21 November - A Christmas Carol-ish at @SohoPlace Theatre. I was lucky enough to be invited to press night. This is Nick Mohammed's brainchild and is a transfer from 2023's version that ran at the Soho Theatre. Unfortunately, due to technical difficulties, we only got to see the first half (which was excellent, I might add). Unfortunately, I haven't been able to go again yet to see the full thing. The reviews from those who have seen it have been positive,
such as this one. Booking until New Year's Eve.
Tickets available here.
Friday 22 November - Wicked Part 1 - the movie at Vue Leicester Square. OK, so it's a movie not a live show, but I did go with a bunch of musical theatre enthusiasts who I've been hanging out with intermittently in a fabulous, but now defunct, musical theatre choir and piano bar karaoke night in Covent Garden. I'm not the biggest Wicked fan. I have seen the musical live, albeit 15 years ago. And yes it was fabulous. And this is a massive budget film so it's bound to be great, right? Well it is good, but I'm not sure it's mahoosive budget good. It's a fun movie and well worth seeing, even if you're not into musical theatre. Ariana Grande is excellent in it. I didn't know she could be so funny. Cynthia Erivo can really sing, but I didn't get that from the movie. The cinema was a bit chilly that night so it's possible I was distracted by not being wholly comfortable. I expected to get 'all the feels' but I didn't. Maybe I need to see it again! Regardless, the songs 'Loathing' and 'Popular' have been constant earworms since so something's working with the film or its marketing! Here's a review of the film that I think is fair.
OMG. This was absolutely fantastic! This
semi-staged concert version, based on the movie of the same name, starred Ramin Karimloo (move over Jonathan Bailey, Ramin just took your place as No 1 in my hit parade!), Hadley Fraser, Janie Dee, Carly Mercedes Dyer, Rufus Hound and Lauren Drew. It was so funny and so brilliantly sung and acted. I couldn't have wished for anything better. I was even sat in the Grand Circle (which I don't often do because I like to see the detail), but even from there, the atmosphere was electric. I would love to see a fully-staged version of this. A weekend of this was not enough!
Monday 25th November - The Happiest Man on Earth at Southwark Playhouse. I've been lucky enough to see a couple of other plays recently that cover holocaust experiences, namely Rose (starring Maureen Lipman) at The Ambassador's Theatre and The White Factory at Marylebone Theatre. Both were incredibly moving. This one-man play in the studio theatre is right up there with its West End cousins.
It's a quite fantastical tale of one Jewish man's experience before, during and after World War II. It's based on the autobiography of Eddie Jaku. It starts with Eddie finding out he's no longer welcome at school, soon followed by the deadly and infamous Kristallnacht and then a spell in Buchenwald, escape and spells in Auschwitz. Add in the physical abuse received from the Nazis, losing friends and family in the most appalling ways and a near-death experience due to cholera and typhoid; it's a miracle that Eddie survived at all, let alone live to 100 and share his story. Kenneth Tigar stars in what's described as a Tour de Force performance. And it really is. Kenneth is no spring chicken at 82 but is a seasoned and very talented actor. I found his performance tender yet gripping and funny yet moving. Booking now until 14 December. Highly recommended.
Tuesday 26th November - Flo & Joan, The One Man Musical at Soho Theatre. This is one of the funniest things I've seen all year! It's a repeat of their Edinburgh Fringe success transferred to The Soho Theatre for just a week. I got lucky with a last minute ticket. Flo & Joan are extremely talented writers, musicians and comedians. Although on stage, they are not the stars of the show. The star of this one-man musical about the main man of musicals is Andrew Lloyd Webber as played by George Fouracres. He plays him as pompous, posh and pugnacious and is an absolute delight. The musical numbers draw on familiar themes from ALW's most famous musicals. The low budget aspect of the piece just adds to the hilarity. We also hear about ALW's, um, various wives and how and when they got together, his relationship with Tim Rice as well as some of the rumours and stories about him. It's terrific fun, musically very clever and very tongue in cheek. I loved it! It was even better sharing the evening with fellow musical theatre enthusiasts to be able to laugh at some of the more obscure references together. There's a much better review than mine here.
. My first visit to The Pleasance Theatre, but definitely not my last. This was a fun parody of Paris Hilton and Nicole Richie's The Simple Life. ShayShay plays Paris and Fizz Sinclair plays everyone else. Things quickly turn for the worse when the pair reunite for the 20th Anniversary Special Edition of the show. They have invited guests ready to interview but just as they're about to go live, there's a murder. Can Paris solve the mystery? Are the celebrity guests to blame? It's very silly, very funny and very camp. Sinclair's impressions are spot on and they both have the noughties vibe down to a T. Recommended for a light-hearted, fun night out in a super venue with a great bar and a great atmosphere.
Booking now until 7 December.
Saturday 30 November - Alice in Wonderland at Brixton House Theatre. This one was nearer home and another really lovely venue. This is a retelling of Alice in Wonderland, set in modern day Brixton where Alice and her Mum are having a row during a tube journey. The tube train becomes the rabbit hole and we follow Alice on her journey through Wonderland - in this case, a never-ending tube ride - and we meet some of the other travellers on the same train. The play loosely follows the book and we see versions of the White Rabbit, Mad Hatter (Chatter), Cheshire Cat (a virtual entity), Mock Turtle (now a tortoise) and the Dormouse (a rat in our tale) and of course, the wicked Queen. It's quite a complicated story but the children in the audience the night I went all seemed to be really into it and engaged with what was going on. If you're looking for something a bit different, this might just fit the bill. The small cast worked really well together to carry off the range of characters they played as well as the increasingly frenetic tube ride that they're on. The sound effects were of particular note and they were very effective. There were enough puns and London references to keep the grown ups happy too and the rap style music was a fresh addition to the proceedings. This is definitely a play rather than a panto, although there is a little bit of audience participation in the second half. Recommended.
Booking now until 4 January 2025.
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